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≡ [PDF] Rosshalde Narrativas Spanish Edition Hermann Hesse 9789500725958 Books

Rosshalde Narrativas Spanish Edition Hermann Hesse 9789500725958 Books



Download As PDF : Rosshalde Narrativas Spanish Edition Hermann Hesse 9789500725958 Books

Download PDF Rosshalde Narrativas Spanish Edition Hermann Hesse 9789500725958 Books


Rosshalde Narrativas Spanish Edition Hermann Hesse 9789500725958 Books

I hate to be the one to disagree with the majority here, but I found this book to be very disappointing. Having read my share of Hesse, I found the author failing to distance his personal emotions from his main character (even though the book was based on Hesse's own domestic turmoil). Hesse's books have always read more poetically when written from the first person narrative (Gertrude, A Journey to the East, Peter Carmenzind) or from the second person narrative (Magister Ludi, Steppenwolf). In this novel, the writing is simple but often unimmaginative for Hesse. I mean, when was the last time you read a novel where the climax last word of a chapter was "vomited"?
What results is a great sense of bitterness and personal angst, but an angst so private, that the reader cannot longer share in it. Maybe it was this novel which caused Hesse to look down upon all of his writing prior to going through psychoanalysis and writing "Demian".

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Rosshalde Narrativas Spanish Edition Hermann Hesse 9789500725958 Books Reviews


This is another one of Hesse's masterpieces. In Rosshalde particularly, he shows us his amazing ability to describe deep and profound emotions with simple and beautiful language, Hesse's narrative skills are taken to his highest expression. If you can read German (I don't) I strongly recommend you to do so with this novel. "Rosshalde" is the residence of an artist, a painter (Johann Veraguth), who is trapped in a life that lacks happiness, except maybe for his work and some brief moments spent with his beloved son, Pierre, moments that he treasures. The feelings of the artist towards his son are wonderfully described, as well as the personality of the little boy. Veraguth will have to decide if he wants to continue with his tedious and unhappy existence, or if he should make the biggest sacrifice in order to get his life back, not quite an easy choice for him.
All of Hesse's titles are in some degree biographical, but this one is supposed to be one of the novels most related to his life. Mandatory for a Hesse fan.
My dad has been singing the praises of Rosshalde for decades now. I finally took some time to sit down and read it; I am glad I did. A very short novella, I was able to leisurely read Rosshalde in three days. Hesse's poetic prose very much reminds me of F. Scott Fitzgerald's work (one of my all time favorites). Another reviewer described the book as much like "reading a painting." I would agree with that assessment wholeheartedly. It is full of passion, heartbreak, resignation, questioning...all wrapped delicately in intricate prose and beautiful imagery...much like a painting.
True, if it is action you are looking for, this is not the place to find it. This is a "rainy Sunday" read. It is nothing if not melancholy...it details the life of a man, Veraguth, who is a very successful painter, but lives a lonely, desolate life. Though married with children, the familial relationships are strained and wanting. It is a tale of both binding obligation and freedom.
On another interesting note...if you happen to be interested in Queer Theory, this is a great story in which to engage it. The homosocial relationship between Veraguth and his lifelong friend, Burkhardt, is worth a deeper look.
Any way you slice it, this novella was expertly written, and clearly crafted with love and personal connectedness on Hesse's part. True lovers of classic literature would be wise to add this book to their shelves.
Johann Veraguth is a painter who has achieved world-wide fame and is hailed by his nation as one of their greats. His success allows him to purchase an 8-acre estate named Rosshalde, which he renovates into a little enclave of artistic and domestic bliss, complete with lush gardens, a lake for swimming, and a studio in which to engage in the act of creation undisturbed. After ten years in this idyllic home, however, a sadness rules over the picturesque grounds. Veraguth and his wife no longer live as man and wife. She occupies the manor house, while he lives in his painting studio. Their relations are icy but cordial; the one bond that unites them is their love for their 8-year-old son Pierre, who moves freely between the two camps. When Otto Burkhardt, a former classmate of Veraguth’s, arrives for a visit, he is shocked by the depressing state in which he finds his old friend. He questions how the artist can go on living like this and advises him to make a clean break with his wife, even if it means giving up his young son. Burkhardt, who lives in India, invites the painter to leave Rosshalde and join him in the East.

Rosshalde, originally published in 1914, is a semi-autobiographical novel from German/Swiss author Hermann Hesse, winner of the 1946 Nobel Prize in Literature. After achieving literary fame, Hesse, like Veraguth, settled down with his wife and kids at a lakeside retreat. Eventually his marriage deteriorated, and he departed for a trip to Asia. When he returned, he began writing most of the novels for which he is famous among English-language readers—modern, expressionistic works like Steppenwolf, Siddhartha, or The Glass Bead Game that are loaded with Freudian, Jungian, and Buddhist imagery. I enjoy Hesse’s later works—particularly Steppenwolf—but I also appreciate his earlier works like Beneath the Wheel, that depict everyday German life in a style that straddles the line between romanticism and realism. Rosshalde falls into this latter category.

At first I was quite taken with the novel. The natural beauty and contemplative atmosphere of the Rosshalde estate is intoxicating, and Hesse does a great job of portraying the life of a painter, albeit an uncommonly wealthy one. His transcriptions of human emotion are authentic and moving. The dark, brooding relationship that exists between the estranged couple initially presents a perplexing mystery waiting to be solved. The problem is, the novel doesn’t really go anywhere from there. The whole thing feels like a foregone conclusion. Ultimately the plot hinges on the choice Veraguth has to make, but circumstances end up making that choice for him. It’s all quite sad and pathetic, but not particularly compelling. The further the narrative progresses (or fails to progress) the less interesting it becomes.

Rosshalde may not be one of Hesse’s masterpieces, but it still has its charms. Fans of Hesse who have read all the major works might want to give this quiet novel a try. If nothing else, the autobiographical elements provide some insight into the author’s life.
I loved the book!
This is another worthwhile but sort of boring book. I know the author did better. I read it as I have been reading other classics, not necessarily as a labor of love but as a goal to attempt to enrich my life. This covers a few months of the life of a famous painter with the crises, tragedies, and domestic disturbances. It is relatively short and easy to read.
Great Hesse, no opinion on translation.
Great book from Herman Hesse, I am a huge fan of his work, and may be biased, but I thoroughly enjoyed this book, as I usually do with his work. Highly Recommended.
I hate to be the one to disagree with the majority here, but I found this book to be very disappointing. Having read my share of Hesse, I found the author failing to distance his personal emotions from his main character (even though the book was based on Hesse's own domestic turmoil). Hesse's books have always read more poetically when written from the first person narrative (Gertrude, A Journey to the East, Peter Carmenzind) or from the second person narrative (Magister Ludi, Steppenwolf). In this novel, the writing is simple but often unimmaginative for Hesse. I mean, when was the last time you read a novel where the climax last word of a chapter was "vomited"?
What results is a great sense of bitterness and personal angst, but an angst so private, that the reader cannot longer share in it. Maybe it was this novel which caused Hesse to look down upon all of his writing prior to going through psychoanalysis and writing "Demian".
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